BRECHT IN PRACTICE
Theory
Brecht: A Brief Overview
Aims Of The Theory
Fabel
Arrangement
Gestus
Haltung
Verfremdung
Verfremdung or Verfremdungseffekt?
The ‘Not/But’
Figures, Not Characters
Politics
Making Theatre Politically
Realism
Dialectics and Contradictions
Realistic Details
Theatre Of Showing
Reality
Gestic Language
Inductive Rehearsal
Historicization
Theory and Practice
The Brechtian Method
The Meaning of ‘Brechtian’
Productions
Modelbook
Closer
Scene-by-scene Guide
A Stylized Production?
Closer Credits
An Emphasis On Process
Directing Strategies for Closer
Politics of the Production
Production Design
Production Details
Production Poster
The Actor’s Take
Treatment of Stage Directions
The difficulties of establishing a Fabel
Use of music
The Play’s Figures (not Characters)
The Crucible
Act-by-act Guide
Clips from the Production
Why The Crucible?
Reading Miller Against the Grain
The Role of the Fabel
British English and Tituba
Dialectics and Contradictions
Criticizing Patriarchy
Rejecting Miller’s (Stage) Directions
Managing Multiple Figures on Stage
Comedy, Historicization and the Critical Attitude
A (Somewhat) Shouty Production?
British English and the Casting of Tituba
Costume Design
Set Design
Sound Design
Production Poster
Production Credits
Download Zone
Blog
Links
Credits
Search for:
The Actor’s Take
Closer
Scene-by-scene Guides
Production Details
The Actor’s Take
Why Closer?
An Emphasis On Process
A Stylized Production?
Directing Strategies for Closer
The Play’s Figures (not Characters)
Difficulties establishing a Fabel
Production Design
Politics of the Production
Use of music
Treatment of Stage Directions
Closer Credits
Production Poster
Back
MENU
Theory
Brecht: A Brief Overview
Aims Of The Theory
Fabel
Arrangement
Gestus
Haltung
Verfremdung
Verfremdung or Verfremdungseffekt?
The ‘Not/But’
Figures, Not Characters
Politics
Making Theatre Politically
Realism
Dialectics and Contradictions
Realistic Details
Theatre Of Showing
Reality
Gestic Language
Inductive Rehearsal
Historicization
Theory and Practice
The Brechtian Method
The Meaning of ‘Brechtian’
Productions
Modelbook
Closer
Scene-by-scene Guide
A Stylized Production?
Closer Credits
An Emphasis On Process
Directing Strategies for Closer
Politics of the Production
Production Design
Production Details
Production Poster
The Actor’s Take
Treatment of Stage Directions
The difficulties of establishing a Fabel
Use of music
The Play’s Figures (not Characters)
The Crucible
Act-by-act Guide
Clips from the Production
Why The Crucible?
Reading Miller Against the Grain
The Role of the Fabel
British English and Tituba
Dialectics and Contradictions
Criticizing Patriarchy
Rejecting Miller’s (Stage) Directions
Managing Multiple Figures on Stage
Comedy, Historicization and the Critical Attitude
A (Somewhat) Shouty Production?
British English and the Casting of Tituba
Costume Design
Set Design
Sound Design
Production Poster
Production Credits
Download Zone
Blog
Links
Credits
